Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Peter Severin Kroyer
marie og vibeke kroyer haeklende i hjemmet ved skagen plantage

ID: 64646

Peter Severin Kroyer marie og vibeke kroyer haeklende i hjemmet ved skagen plantage
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Peter Severin Kroyer marie og vibeke kroyer haeklende i hjemmet ved skagen plantage


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Peter Severin Kroyer

Norwegian-born Danish Painter, 1851-1909  Related Paintings of Peter Severin Kroyer :. | vinhost i tyrol | anna og michael ancher i samtale med organist helene christensen i den gamle have | sommerdag ved skagen strand | kunstnerens hustru siddende i en havestol i deres have pa skagen | marie kroyer med et handarbejde |
Related Artists:
Nikolai Petrovitch Bogdanov-Belsky
painted Mental Calculation. In Public School of S. A. Rachinsky in 1895
CARIANI
Italian Painter, ca.1490-1547 was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. His father, also Giovanni Busi, was born in Fuipiano Valle Imagna and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his Sacra conversazione with a youthful donor. While working in Bergamo (1517-1523),
Wilhelm von Kobell
1766-1853 German Wilhelm von Kobell Gallery Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.






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